It’s First Friday in Chinatown, and a decent-sized audience is gathering in the dim light of Ong King. The demographic is mixed: young hipsters, middle-aged yuppies, unassuming Honolulu businesspeople checking out the live entertainment after work, still clad in their ubiquitous aloha shirts and dress pants.
The crowd settles down, and a band starts their set. The bespectacled guitarist hammers out distorted semi-improvisational guitar. The drummer keeps a basic beat on a sole tom-tom. A hyper-kinetic teenage girl screams atonal nonsense into a traffic cone and leers menacingly at the audience.





